Music Tech - October 2013.pdf

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THE BASS STATION RETURNS | 769MB OF SAMPLES | BECOME A POWER USER PART 2

4GB +

www.musictech.net

Issue 127

October 2013

RECORDING MASTERCLASS

From mic to hard drive - the pro guide to the perfect take

32

PAGES OF

TUTORIALS

2 LOGIC PRO X

PERFECT RECORDING

IN CUBASE, FL STUDIO

WORKSHOPS

NEW FEATURES &

AND PRO TOOLS

HOW TO… SOUND

LIKE KRAFTWERK

QUICK SWIPE

Ultimate mics

& PRODUCE TRANCE

MAKING THE MOST

OF ABLETON PUSH

The top 25 condenser

mics revealed

More Reviews

BASS STATION II

DVD inside

769MB of samples

& 1.2GB of video

PLUS 18 more of the latest

studio releases reviewed

Issue 127 October 2013

£5.99

www.musictech.net

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ATH-M50

More Colour In Your Mix

Audio-Technica’s acclaimed ATH-M50 studio monitor

headphones deliver natural response throughout the

entire frequency range, without hyping or diminishing

sounds along the way. Wherever your passion for music

leads you, listen for more.

• Now offered in a new limited-edition red, in addition to the original black and

white models.

• Natural response ideal for professional monitoring and mixing

• Collapsible design for easy portability and convenient storage

• Proprietary 45 mm large-aperture drivers with neodymium magnet systems

• Closed-back cushioned earcups for isolation

• Adjustable padded headband for comfort during long mixing/recording sessions

www.audio-technica.com

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Welcome MT

Expert Panel

Meet the team of experts

behind the magazine

Cubase Tim Hallas

Tim’s a music technology consultant and

education expert. As Cubase Editor he will be

bringing you a range of technique features for the

popular DAW over the coming months.

Mixing/Mastering/Logic Mark Cousins

Mark specialises in sound design and cinematic

productions. He has recorded with orchestras

across Europe and is heavily involved in

soundtrack composition.

Those of you old enough to remember the Atari

Recording & Guitar Tech Huw Price

A recording engineer since 1987, Huw has worked

with David Bowie, My Bloody Valentine, Primal

Scream, Depeche Mode, Nick Cave, Heidi Berry,

Fad Gadget and countless others.

ST – the irst computer I used for making music

if you don’t count the ZX Spectrum I blew up

after building a MIDI interface for it – will recall

that getting audio onto its hard drive was nigh-

on impossible, mainly down to it not having a

hard drive in the irst place. Indeed, shouting into the loppy

drive slot was pretty much the only way of getting audio into

computers in those days. My, how things change…

Thanks to a mind-boggling number of interfaces, big processors and fewer

loppy drives, today’s computers are all about audio. But, just like the old days, the

start of the recording process still usually involves a good mic, while the actual

capture of it may vary from DAW to DAW. And that’s where we’re at in this issue…

Part 2 of our Power User series across every major sequencer covers the

subject of setting up for recording (apart from Liam, who’s gone off-road with Live

and Push). And at the ‘front end’ of recording Huw reveals the best 25 condenser

mics, throwing in all sorts of advice along the way.

From mic to hard drive, I think we have it covered but, as usual, get in touch and

let me know (contact details below). Enjoy the issue…

Scoring/Orchestral Keith Gemmell

Keith specialises in areas where traditional

music-making meets music technology, including

orchestral and jazz sample libraries, acoustic

virtual instruments and notation software.

Ableton Live & DJ’ing Liam O’Mullane

Liam has worked as a D&B scratch DJ as well as

releasing dubstep, D&B and hardcore tracks. His

passion is to master the production styles of the

latest genres using Live.

Reason & Mobile Hollin Jones

As well as teaching music technology, producing

and writing soundtracks, Hollin is an expert on

everything Apple, mobile or computer-related, as

well as being an accomplished keyboard player.

Electronic Music Alex Holmes

Alex has been a computer musician for 15 years,

having a keen passion for beats, bass and all

forms of electronic music. He’s currently involved

in three different dance music projects.

Andy Jones Senior Editor

Email andy.jones@anthem-publishing.com

Send your tweets @AndyJonesMT (although don’t expect much tweeting from me)

Read my blogs at www.musictech.net

Studio Hardware John Pickford

John is a studio engineer with over 25 years of

experience. He is a keen sound recording historian

and has a passion for valve-driven analogue

equipment and classic recording techniques.

Pro Tools Mike Hillier

Mike spent five years at Metropolis Studios,

working alongside some of the best-known mix

and mastering engineers in the world. He is now

building his own studio in south London.

Pro Tools Mike Hillier

Mike spent five years at Metropolis Studios,

working alongside some of the best-known mix

and mastering engineers in the world. He is now

building his own studio in south London.

VISIT OUR WEBSITE!

Head to our constantly updated website

for the latest news, reviews and 10 years’

worth of quality content – musictech.net

DON’T MISS

OUR GREAT

SUBS OFFER!

Subscribe and save

35% and get the

digital edition free –

see page 80 for

full details.

magazine October 2013 | 3

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MTM Contents

MT Contents

Is sue 127 October 2013

14 THE ULTIMATE

MICROPHONE

GUIDE

The irst part of a major

series of guides, starting

with large-capsule

condensers and explaining

many of the tech terms

involved in recording with

mics plus top tips and

advice along the way…

Deconstruction

06

75

Advance

Advance

Sound like

Kraftwerk

Simple can

be best…

INDUSTRY OPINION

The latest trends discussed

4 | October 2013

magazine

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Contents MTM

p88

MT Is sue 127 Full listings…

006 | Advance MusicTech’s

team on the latest industry

developments, plus predictions,

releases and what’s been

happening at MusicTech.net

014 | The Ultimate Mic Guide

Huw Price kicks off a series of

mic articles with condensors and

reveals the best 25 out there

LANDMARK RECORDING

029 | Joy Division

Unknown Pleasures

TECHNIQUE

032 | New features in Logic Pro X

BECOME A POWER USER: Part 2

038 | In Steinberg Cubase…

044 | In Ableton Live

050 | In Avid Pro Tools …

054 | In Propellerhead Reason

058 | And in FL Studio …

064 | In Apple Logic Pro

069 | New! Genre Focus

How to produce trance music

075 | New! The MT Deconstruction

Kraftwerk The Model

080 | Subscribe and get free

digital editions, plus save 35%

REVIEWS

082 | Novation Bass Station II

086 | Zvork Noxious Reason Rack

088 | KRK Rokit 5 monitors

090 | Sony Sound Forge editor

093 | Steinberg HALion sampler

095 | Arturia Spark LE & Minilab

096 | UA Ocean Way Studios plug

099 | AKG C1000S MkIV mic

100 | Kush Audio Electra 500 EQ

102 | Spitﬁre BML Horn Section

104 | Mini Reviews

112 | Next Month in MT

114 | On your MT DVD

p82

p99

The Latest Reviews

BASS STATION II

BASS STATION II

Plus reviews of Sony Sound Forge,

Steinberg HALion and many more

Plus reviews of Sony Sound Forge,

Steinberg HALion and many more

p95

DAW Tutorials

p93

BECOME A POWER USER

p32

MAJOR SERIES: PART 2

p64

p58

p54

p38

p44

Genre Focus

TRANCE! 69

MAGAZINE October 2013 | 5

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