Russel R. Winterbotham - The Whispering Spheres.pdf

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The Whispering Spheres
Winterbotham, Russel R.
Published: 1941
Type(s): Short Fiction, Science Fiction
Source: http://gutenberg.org
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About Winterbotham:
Russell R. Winterbotham (1904-1971) was a writer of western and sci-
ence fiction genre fiction, and the author of several Big Little Books. He
also wrote crime under the pen name J. Harvey Bond.
Copyright: Please read the legal notice included in this e-book and/or
check the copyright status in your country.
Note: This book is brought to you by Feedbooks.
Strictly for personal use, do not use this file for commercial purposes.
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Chapter 1
THE CAULDRON
The factory saw-toothed the horizon with its hideous profile as the moon
rose in the east. The red glow of the furnaces bathed the tall buildings,
the gigantic scaffolds, the cord-like elevated pipelines and the columnar
smokestacks in the crimson of anger. Even the moon seemed to fade as
the long-fingered smokestacks reached toward it belching their pollu-
tion. The air, which should have been clean, was filled with the reek of
unfamiliar odors.
From the machine shop, where giant cannon were forged into smooth,
sleek instruments of death, came noise: unchecked, unmuffled, blas-
phemous din. But something odd was afoot. There was a sudden hush. It
seemed as if a giant hand had covered the metal city to muffle its
screams.
In the nearby city of box-like houses, where the workers lived, there
was an echoing stir. Lights glowed in the windows of the tiny homes.
People were awakened in the night by the sudden cessation of din.
Something was wrong in the factory.
But there couldn't be anything wrong. The factory was enclosed by a
high, electrified fence. There were guards on duty night and day, armed
to the teeth and ready to shoot an intruder who failed to give an account
of himself. There were wars and rumors of wars on the face of the earth
and there was need for the uninterrupted production of sleek cannon.
But, if something were wrong, why didn't the whistle blow? There
were signals: three short blasts, repeated many times, meant fire; one
long blast meant a breakdown; five toots meant a layoff. But now the
whistle was silent.
Heads popped from the windows of the houses in the city. They
listened. Was it a whistle that the workers heard? No. It was a whisper-
ing, barely audible at first, then louder. It was the whisper of tongues of
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flame. But no flames were visible. Only the red glow of the furnaces
lighted up the factory's profile.
One by one the lights of the city went out as workers went back to bed,
to toss restlessly. Without noise there could be no sleep.
The tongues of flame still whispered.
A car moved rapidly through the streets of the city. At the wheel was a
man dressed in a captain's uniform. The machine whirled onto the high-
way that led toward the factory. A barricade, lighted by torch-lanterns,
barred his path. A sentry with a bayoneted gun stood to one side, signal-
ing a halt.
The car slowed.
"Captain Ted Taylor, ordnance department!" the captain said, extend-
ing his pass toward the sentry.
The sentry signaled him on.
The car came within a stone's throw of the factory, where it turned into
a parking lot. The officer climbed out, noiselessly, and moved into the
shadows.
Once Captain Taylor had been a scientist, but that was long ago, be-
fore wars had made biology very unexciting.
Out of the shadows a second figure moved. He was a short, stocky
man, compared with the slender, graceful figure of the captain.
"Ps-st! Captain!"
"Masters!"
"You got my short-wave call, I see. I was afraid you would be asleep.
He came late, but he's in the tunnel now."
"Who is it?"
"The fellow we've suspected all along. Poses as an ignorant laborer,
but he's not ignorant by a long shot. His name is Hank Norden."
Masters pointed toward a clump of bushes. As he did, he caught the
captain's arm with his left hand. The bushes were moving.
A black hole appeared at the base of the bushes and from it emerged
the head and shoulders of a man. Taylor drew his pistol. The man's head
turned, searching the shadows to see if he was observed. He failed to de-
tect the figures of Taylor and Masters, huddled nearby in the shadows.
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The man scrambled from the hole. He closed the trap door behind him
and then started to move rapidly away.
"Halt!" barked Taylor.
The man began to run. The captain's pistol spat, kicking up dust be-
side the running feet. The fleeing man jumped to one side, to spoil
Taylor's aim on the next shot, but as he did so, he stumbled and fell.
A moment later Taylor had landed on top of him, pinning him to the
ground.
The faded moonlight showed angry eyes, a jutting, undershot jaw and
a sharp, pointed nose.
"Damn you!" spat the captive.
Taylor removed a revolver from the prisoner's clothing and tossed it to
Masters.
"It's Norden, all right," Masters said, scrutinizing the captive. "I'd
know that jaw in a million. What are you doing here, fellah?"
"I'm blowing the factory to hell!" Norden said between his teeth. "You
can't stop me. Everything's fixed. In a minute a bomb'll go off. You, I,
everyone will be smashed to atoms. And I'm glad. For the fatherland."
"We know why you're doing it," Taylor said. "Come on, Masters. Get
your short-wave working. Notify the factory office. Where's the bomb,
Norden? Come on, speak up, or I'll pull you to pieces!"
Norden said nothing. Masters was calling the office. He turned to the
captain:
"I can't raise anyone."
"We'll go to the gate." Taylor prodded the prisoner ahead on the run.
"You can't make it in time," Norden panted.
"We'll die trying!"
A floodlight turned the area in front of the gate into a patch of day-
light. An armed sentry challenged from a small building. The captain
answered.
"Sorry, but you can't come in. Strict Orders. After hours," the sentry
said, when the captain asked to be allowed to pass.
"But it's urgent—life or death. We've got to use your telephone.
Or—you call the office. Tell the super there's a bomb in the plant—"
The sentry's jaws gaped, but only for an instant. Down the road inside
the plant came a running, bareheaded figure—screaming:
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